Prevention

conservazione-prevenzione lisa venerosi pesciolini

It is the first step for an appropriate conservation of the work of art over time. Prevention consists in implementing a series of precautions with the purpose of ensuring… [follow]

Conservation

conservazione 2 lisa venerosi pesciolini

Conservation is the least invasive of all interventions and its purpose is to maintain the work of art at its optimum situation, developing and deepening particularly… [follow]

Restoration

conservazione e restauro lisa venerosi pesciolini

It is required when a work of art is particularly damaged by deep abrasions, ripped parts of canvas, orifices, holes and missing parts. A restoration also applies when a work… [follow]

Recovery

testata lisa venerosi pesciolini restauro e conservazione 5

The recovery project formulation requires a specific preliminary research with very complex tests, realized through physico – chemical and diagnostic analyses… [follow]

For over 30 years the Studio di Restauro Lisa Venerosi Pesciolini carries on interventions of conservation and restoration of paintings on canvas and panel, fondi oro, wooden painted sculptures, reliefs in terracotta and gilded, sculpted frames.

Located in one of the most characteristic areas in the centre of Florence, its exceptional dimensions can easily accommodate even very large works of art. The staff is composed by professionals with specific competences and different specializations, formed at the prestigious Scuola di Alta Formazione dell’Opificio delle Pietre Dure.

PROTECTION OF PRIVATE AND PUBLIC COLLECTIONS

restaurare un'opera d'arte p

Takes care to catalogue and provide with their corresponding tab the works of art that belong to private and public collections, describing their technical and structural characteristics, their conservation status, with a sanitary updating which describes the time – life of each graphic work, painting and sculpture. [follow]

RESTORATION AND CONSULTING PROJECTS

progetti di restauro lisa venerosi pesciolini

Lisa Venerosi Pesciolini makes restoration and consulting projects for a good conservation and restoration of antique, modern and contemporary works of art in private and public collections, both in Italy than abroad. [follow]

PRESENTATIONS AND CONFERENCES

testata lisa venerosi pesciolini conferenze

To offer our professional experience, to share the knowledge and explain the path that leads to the methodological options of a restoration are all activities that we carry on continuously, organizing meetings and taking part in conferences and presentations both in Italy and abroad. [follow]

INFORMATION WORKSHOPS AND GUIDED VISITS

View More: http://brianschindler.pass.us/1-year-party-anniversary

Our Studio welcomes students from Italian and European schools and universities, both public and private, for formation and post – graduate courses. We receive groups of two or more persons from Italy and all over the world for private, guided visits to our Studio to explain some artistic.. [follow]

Restoration

ANTIQUE ART & XII / XIV CENTURIES

Cristo crocifisso 1

GOLD GROUND

tavole fondo oro 2 lisa venerosi pesciolini

FRAMES & GOLDEN SCULPTURE

doratura cornice lisa venerosi pesciolini

PAINTINGS – XVII CENTURY

pittura del 600 guercino lisa venerosi pesciolini

PAINTINGS & SCULPTURES – XV CENTURY

testata lisa venerosi pesciolini Pittura e scultura del '400 2

MODERN PAINTINGS

pittura 800 lisa venerosi pesciolini

PAINTINGS & SCULPTURES – XVI CENTURY

pittura del 500 lisa venerosi pesciolini 2

LARGE PAINTINGS

008

The importance of a multifunctional team is one of the characteristics which distinguishes our Studio.

It is fundamental to obtain a comprehensive interdisciplinary vision of every restoration project, through a continuous exchange and dialogue between the experiences and sensibilities of each of the experts involved.

The historical research in a direct collaboration with specialized art historians, the evaluation of mechanisms of deterioration based on scientific methods of exhaustive research, the analysis of the materials, the implementation of graphic and relief studies carried out before every intervention, widen the limits of a mere direct observation.

This analytical approach allows us to formulate a rigorous restoration project and therefore to choose the materials and their methodology of application in every phase of the intervention.

The environment where the restoration operations are carried out is monitored to measure the thermo – hygrometric values at all times.

The Studio is equipped with advanced facilities and working instruments, which enable us to intervene with the greatest security for the works of art and the professionals involved.

The Studio is endowed with security installations and alarms, and insured with All – Risks, Liability Insurance and Professional Responsibilities Insurance policies.